The
legend of Wilhelm Tell is as old as the hills, yet, there is no more
subtle and romantic story. Friedrich Schiller wrote a drama a piece
of masterpiece which expresses the political situation he himself
observed and wanted to comprehend. The hero expresses Schiller's
perception of live, his inner, unbroken demenour. The controversy and
orthodoxy he was not afraid to come forward. The drama suddenly
became very popular and well-read, Schiller himself was not astounded
of its popularity, namely, he did expect the success, not that huge one, tough.
It was his last completed work, his writting victory he deserved for.
The book undoubtedy is indebted to the works and suggestion of
Goethe's. Schiller's work was highely influenced by Goethe's. They
befriended and created a mutual bound, a spiritual bound which helped
them to create the books of our time. The one it is worth returning
to. The crrespondence between those two was frequent and profound.
''(...)What will You say when I confess to You that, amid all these
prosaic matters, a poetic one has arisen which inspires me with a
good deal of confidence? I feel almost sure that the story of Tell
could be treated epically; and if I should suceed in what I
contemplate, we shall have a curious instance of a story first
attaining its full truth through poetry , in place of history being
made a fable, as is the general rule. But more of this is a future
time. The limited but exceedingly important locale which
forms the scene of the events, I have again very thoroughlly
examined; and I have also directed my attention to the characters and
to the manners and customs of the people of the district (...)''
Schiller's
reply to the Goethe's perceptions and pieces of advise was staight
forward:
''(...) Your idea in regard to Wilhelm Tell is a very happy one; and
after having carefully considered that point, I think that, [...] it
is only some such subject perfectly local in character, that You
could handle with You peculiar originality of mind and freshness of
spirit... . The beautiful subject will give us a certain broad
insight into the whole human species, in the same way as between high
mountains one may obtain a view into the far distance (...)''
The
eponymous folk hero was indeed a perfect subject to hang out, the
plot is very dynamic and filled with twist and turns, wit dialogues
and suspence one may only admire. The way how it should be written
was a perplexing matter, finally, it was agreed that ''Wilhelm Tell''
appears in hexameter, despite of all odds of its component.
''(...) I am at present working at ''Wilhelm Tell''; of which
subject I intent to make a great tragedy (...) [...] I am at present
busy working out a ''Wilhelm Tell''. This subject is very tough and
gives me much trouble (...)''
As
stated before ''Wilhelm Tell'' is the last completed piece of
literature Schiller wrote, namely, Schiller succumbed to the malady
which developed pulmonary consumption, he died shortly after at the
age of forty-six. The drama appeared in the period of extreme
excitemet and freedom which provided the vent and voice for the
patriotic feelings of his countrymen. There is no coincidence why ...
Germany found itself in a very difficult situation, in a dark period,
this drama was like the light at the end of the tunnel – it showed
the possibilites, it showed that there was a way out, the oppresion
was no longer a lagacy, it was something the countrymen might and
ought to shake off.
“The man of courage thinks not of himself. Help the oppressed and put thy trust in God.”
It shows the permanent but changable elements of
human nature; the qualities of which are independent, these elemets
eager to be self-determined, free to decided regardless of place and
time.
No
one could describe more accurately how Schiller and his masterpiece
match the match than Goethe;
''(...) Both Schiller and ''Tell'' could very well exist together,
namely, through the conception of self-dependance. In my execution
however, with the obediance to the tendency of his talent, and the
neccesities of the German state, he was compelled to pursue another
road (...).''
Goethe
read and contemplated over the drama, he saw the inner soul and core
essance of it, through the eye of Schiller, he also realized of the
threat, how, inconvenient in must have been to the state, yet,
unsoppable and strong in notion, respectively. The drama takes place
in XIII century, perhaps, 1291. Cantons of Switzerland are useasy
place to live, much more, difficult to rule and govern upon.
The
encroachments of the House of Austria are growing in power, so does,
the confederacy which is about to protect the freedom and fight for
liberties.
“So it has reached this pass? Obedience and fear take flight together?”
''(...) A high and rocky shore of the lake of Lucerne opposite to
Schwyz. An inlet of the shore. Hard by the fisher's hut. A fisher's
boy in a skiff. On the further side of the lake are seen the green
meadows and the hamlets and homesteads of Schwyz, bathed in sunshine.
On the left hand, tower the peaks of the Haken, enveloped in clouds.
In the background to the right are ranged snow-clad mountains. In the
near distance are heard the strains of pastoral melody, and the
harmonious tinkling of the cattle bells (...)''
To
understand the problem, we have to go back to VIII century, at that
particular moment Alemannic tribes began to settle in, they were
mainly vassals, some of them were pronounced as ''free men'', yet,
most of them were deprived of freedom, they were about to show
obedience to over-lords, clerical part of the society; in the long
run it cannot be coherent, idyllic. The limited independance made
yeowmen edgy. They wanted more rights, they wanted more liberty,
self-sufficiency. Centuries passed ahead, people changed, social and
political situation, as well. Powerful and unscrupulous Dukes of
Zahringen ruled with the iron consequence in the name of the Empreror
of Germany. Their inheritance was spread among the Counts of
Habsburg, which, triggered their haste to obain the power, and gave
onset to their total establisment of leadership. The Habsburgs were
able to dominate almost every state, apart, the mountainous region of
the Canton of Uri.
It must be remineded that ''Wilhelm Tell'' is a legand, every legend is proud of its hero, Wilhelm Tell, without a cloud of doubt is not a fictional character. A gallant Swiss patriot. This hero was a woodsman and a hunter, he wanted to bring up the justice and and free his people from the tyrant – local Austrian governor – Hermann Gessler. Diosbedience is harshly punished, to prove that the authority is upon everything and everyone, Gessler ordered to bow to a hat which has been placed upon a pole as a punishment for not obeying orders.
Tell is forced to shoot an apple from his son's head, which is to prove that he is not such good shooter as he pronounced himself, Gessler hopes Tell kills his son, nothing hurts more than loosing the one Tell love the most of all – a little boy. This romantic element hugely dramatize the plot.
The arrow from his crossbow doesn't miss the apple, the shot is successful, yet, dishonest Gessler doesn't keep his promise, he arrests Tell. Fortunately for Tell, Gessler underestimated Tell's character. Bravery and courage helps Willelm Tell to escape, and so he awaits the opportunity to kill Gessler. After the assassination of Gessler, Wilhelm Tell escapes to the woods. The drama is based on true political uphevals which took place in XIII century. The real outline of the events really took place in the Canton of Uri. At that time the Canton was occupied by the vassals of Zurich. The political disobedience was about to destroy the House of Habsburg, yet, it was not strong enough, the Habsburgs regained the power, afterall. The drama was compared to Nordic sagas. The closes relation was found of those from Norway, Denmark and Scotland.
“We shall be free, just as our fathers were.”
It must be remineded that ''Wilhelm Tell'' is a legand, every legend is proud of its hero, Wilhelm Tell, without a cloud of doubt is not a fictional character. A gallant Swiss patriot. This hero was a woodsman and a hunter, he wanted to bring up the justice and and free his people from the tyrant – local Austrian governor – Hermann Gessler. Diosbedience is harshly punished, to prove that the authority is upon everything and everyone, Gessler ordered to bow to a hat which has been placed upon a pole as a punishment for not obeying orders.
“You saw his weakness, and he will never forgive you.”
Tell is forced to shoot an apple from his son's head, which is to prove that he is not such good shooter as he pronounced himself, Gessler hopes Tell kills his son, nothing hurts more than loosing the one Tell love the most of all – a little boy. This romantic element hugely dramatize the plot.
“This feat of Tell, the archer, will be told
While yonder mountains stand upon their base.
By heaven! The apple's cleft right through the core.”
While yonder mountains stand upon their base.
By heaven! The apple's cleft right through the core.”
The arrow from his crossbow doesn't miss the apple, the shot is successful, yet, dishonest Gessler doesn't keep his promise, he arrests Tell. Fortunately for Tell, Gessler underestimated Tell's character. Bravery and courage helps Willelm Tell to escape, and so he awaits the opportunity to kill Gessler. After the assassination of Gessler, Wilhelm Tell escapes to the woods. The drama is based on true political uphevals which took place in XIII century. The real outline of the events really took place in the Canton of Uri. At that time the Canton was occupied by the vassals of Zurich. The political disobedience was about to destroy the House of Habsburg, yet, it was not strong enough, the Habsburgs regained the power, afterall. The drama was compared to Nordic sagas. The closes relation was found of those from Norway, Denmark and Scotland.
The
origin of saga is still quite an argumentative point, it still must
be analysed and thoroughly examined. Despite of all odds and
understatemetns it is the most beautiful Shiller's work of our time.
Bibliography:
''Wilhelm Tell'', Fredrich Schiller, Biblioteka Narodowa, Seria II, 1962, Zaklad Narodowy im. Ossolinskich.
OTA [The University of Oxford Text Archive]
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